Cezanne: Drawings and Watercolours 保罗塞尚素描水彩画册

图为塞尚的不懈寻找现实的描写所带来的问题的解决方案中心。他的许多水彩画等于他的画，他自己也有绘画之间没有真正的区别。这本书的六章按主题编排覆盖整个范围：塞尚ouvre工作后老大师如米切朗基罗和鲁本斯；他的时间作为一个印象派画家；他的两人像和人体的探索，包括宏伟的游泳者；他的互动景观，尤其是在他的祖国。普罗旺斯山圣维克多的主导形式；最后是威严的静物。在引言中，以及在本书中，劳埃德集的素描和水彩画在塞尚生活和整体艺术发展的脉络。其结果是一个更大的理解的过程，导致一些最有吸收的艺术产生。

Drawing was central to Cezanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cezanne's ouvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native. Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cezanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.